The Military

Past

In the twentieth century, there have been three separate and somewhat distinct strands of military history, although in the early part of this period, the distinctiveness of each was not nearly as pronounced as it is today. These three strands are popular military history, academic military history, and military history as used by professionals in the field of national security/defense, uniformed officers, academy instructors, etc. It will outline the characteristics of each and their current trajectories below.

Popular military history is characterized by an emphasis on battles and campaigns, on the heroics of military leaders, and “grand narratives.” In the first half of the twentieth century, almost all military history was written in this fashion, by academics and popular authors alike. Notable examples of non-academic works include Douglas Southall Freeman's R.E. Lee and Lee's Lieutenants, Bruce Catton's trilogy on the Army of the Potomac, and novelist Shelby Foote's massive three-volume narrative of the Civil War. There were also numerous studies of Napoleonic and World War II battles, campaigns and leaders, including David Chandler's work on the campaigns of Napoleon Bonaparte and Hitler biographies written by John Toland, Alan Bullock, et al.

Academic historians also employed the narrative technique to provide a solid framework for their stories and for good reading, such as Douglas Edward Leach, Samuel E. Morison's multi-volume narrative on the US Navy in World War II, and James I. Robertson's Civil War books. These works used stirring narratives, focused on the combat and the drama of events, and usually portrayed somebody as the readily identifiable hero. They were largely celebratory or laudatory in tone, even while depicting the “losers” of wars like the Confederacy and its heroic generals.

Some of this largely uncritical tone may have been influenced by the consensus school of history that dominated academic writing from the WWII years through the mid-1960s, and before that the proper subject of military history was seen as focusing on the leaders and their battles: War, this generation seemed to be saying, is after all about fighting. Military historians also tended to conceptualize warfare as progressing toward greater sophistication. As academic historian Dennis Showalter has expressed it, military history remains the “last stronghold of the Whig interpretation” of history.

Popular military history and its emphasis on combat and leaders today remains, well, popular. It also sells very well in the bookstores, and as Jeremy Black has pointed out in his recent book Rethinking Military History (Cambridge, 2004), much of what gets written about military history is dictated by what publishing houses are willing to bring out to the market. Traditional “trumpet and drums” military studies sell, not an unimportant consideration to publishers and authors alike. This is the type of military history the general public wants to read—chronological narratives that tell stories about war and the men (rarely women) who fought them.

Present

The first requirement of the military is to establish it as a force with a capability to execute national defense policy. Invariably, although the policy may be created by policy makers or ...