Appearances of Marxist revolutionary Che Guevara (1928-1967) in popular culture are common throughout the world. Although during his lifetime he was a highly politicized and controversial figure, in death his stylized image has been transformed into a worldwide emblem for an array of causes, representing a complex mesh of sometimes conflicting narratives. Che Guevara's image is viewed as everything from an inspirational icon of revolution, to a hipster logo of radical chic. Most commonly he is represented by a facial caricature originally by Irish artist Jim Fitzpatrick and based on Alberto Korda's famous 1960 photograph entitled Guerrillero Heroico. The evocative simulacra abbreviation of the photographic portrait allowed for easy reproduction and instant recognizability across various uses. For many around the world, Che has become a generic symbol of the underdog, the idealist, the iconoclast, or the man willing to die for a cause. He has become, as author Michael Casey notes in Che's Afterlife: The Legacy of an Image, "the quintessential postmodern icon signifying anything to anyone and everything to everyone."
Overview
Che Guevara's likeness has undergone continual apotheosis while being weaved throughout the public consciousness in a variety of ways. From being viewed as a "Saintly Christ-like" figure by the rural poor in Bolivia where he was executed, to being viewed as an idealistic insignia for youth, longing for a vague sense of rebellion. His likeness can also be seen on millions of posters, hats, key chains, mouse pads, hoodies, beanies, flags, berets, backpacks, bandannas, belt buckles, wallets, watches, wall clocks, Zippo lighters, pocket flasks, bikinis, personal tattoos, and most commonly T-shirts. Meanwhile his life story can be found in an array of films, documentaries, plays, and songs of tribute. Throughout television, music, books, magazines, and ironically even corporate advertisements, Che's visage is an ever-present political and apolitical emblem that has been endlessly mutated, transformed, and morphed over the last forty years of visual popular culture.
His face has evolved into many manifestations and represents a Rashomon effect to those who observe its use. To some it is a generic high street visual emblem of global marketing, while to others it represents a vague notion of dissent, civil disobedience, or political awareness. Conversely, to those ideologically opposed to Che Guevara's belief in World revolution, or to those that resent his veneration because of his violent actions, his propagation represents shallow ignorant kitsch, idolatry worthy of spoof makeovers, parody, or even ridicule. What is indisputable, however, is that Che has become a widely disseminated counter-cultural symbol that sometimes operates independent of the man himself. Hannah Charlton of The Sunday Times made note of this practice by postulating that "T-shirt wearers might wear Che's face as an easy replacement for real activism or as a surrogate for it."
Cuban Revolution
The first step in Castro's revolutionary plan was an assault on Cuba from Mexico via the Granma, an old, leaky cabin cruiser. They set out for Cuba on November 25, 1956. Attacked by Batista's military soon after landing, many of the 82 men ...