This poem is part of the collection Ariel and it is considered part of the so called Confessional poetry, a kind of poetry drafted by a group of poets of the fifties of the twentieth century in which Sylvia Plath has been framed and which works are composed in a mode of verse that reveals the poet's personal problems in a very frankly way. Long time it has been considered as a characteristic of the collection the theme of suicide, as a hint of the intimate subjects dealt with in the poems, but as in the previous research of this paper has been stated, death poems were not part of this collection, being the poems that express ideas on death not part of the original selection made by Plath before dying (Cf. Baldick, C. ps. 48, 49).
The poem is composed in free verses; it does not seek a regular metre and rhyming scheme. It is composed by six stanzas of three verses each (Cf. Baldick, C. p. 102)
The first stanza begins with the word love, which is a good hint of the theme of the poem. It is, the birth of Sylvia's son and the feelings she experiments because of her maternity. This word, love, it is said to be the reason of the baby's coming to the world. This coming, the sense of movement of the action, is compared with that of a watch, as an object that starts working at a certain point, in the life of a person this certain point can be the moment of the birth. This mentioned watch is a gold watch, the adjective gold gives an idea of the importance of the concept compared to it, in this case the newborn. And the word fat, referring to this watch, ...