Major Barbra: Play Review

Introduction

George Bernard Shaw's 1905 satirical examination of salvation, "Major Barbara," is updated in this 1941 screen translation, but the story is basically the same. Munitions industrialist Andrew Undershaft, who has not seen his family in almost 20 years, returns to find that: (a) his son Stephen, at 25, has not discovered a suitable vocation; (b) his daughter Sarah has engaged herself to a pretentious but unoffending young fool, Charles Lomax; and (c) his other daughter Barbara has adopted the Salvation Army as a career toward moral self-fulfillment and social enlightenment.

Review

The essential question in "Major Barbara" concerns the root of the Industrial Age's social ills. Barbara (well-acted by Wendy Hiller) would argue that the greed of whiskey manufacturers and the social rapacity of the ruling classes are the culprits. Her father, on the other hand, maintains that civilization's greatest sin is the existence of poverty. Further, he deplores the shameless glorification of the "meek, honest, and downtrodden" poor and the empty condescension that is offered to those who live in filth, disease, and constant hunger. And since Andrew Undershaft is the play's hero and Shaw's philosophical stand-in (Robert Morley, the actor who plays him, is even made up to resemble Shaw), there can be little doubt as to which character, father or daughter, will ultimately triumph.

Since Shaw was directly involved in this project, it's doubtful that purists will object to the fact that the film includes additional scenes that did not appear in the play's original text. A new prologue introduces us to Adolphus Cusins (Rex Harrison), the professor of Greek classics who is a dismal failure as a Hyde Park lecturer. When his speeches fail to hold or entrance an audience, he is advised by a sympathetic street patrolman (Stanley Holloway) to sample the "religious" speaking-circuit. Deciding he has nothing to lose, Adolphus heeds the policeman's advice, and while doing so, he encounters Barbara speaking to a crowd with incredibly religious fervor, and he is instantly smitten. From there, the movie segues into Shaw's original First Act.

Another important addition is the mock religious conversion of the drunken Bill Walker by wrestler-turned-Salvation-Army-sergeant Todger Fairmile, a scene only described in Shaw's original transcript. Robert Newton, a very fine actor who was especially memorable in Hitchcock's "Jamaica Inn" (1939), here plays Walker as an unbridled, unapologetic savage of a bully. His profane dismissals of the aged Miss Mitchens and the quickness of his physical abuse of the docile Army volunteer Jenny Hill provide the film's most shocking moments. But Walker's more lethal ammunition is used in his verbal taunting of Barbara ("What price Salvation, now?") after her disillusionment with and ultimate resignation from the Army of Good Samaritans. So deep is her despair that she almost commits suicide.

Her abandonment of the Army occurs after her superior accepts a large gift of money in the form of a check signed by her own father. Barbara insists that the money is tainted, that its blood money, gleaned from her father ...