JOURNEY & NARRATIVE FILMS

Journey & Narrative Films

What Makes The Journey Film Different To Other Narrative Films?

Narrative Movies

The cinema is an industry and the only reason for being in the extent to which addresses an audience. The films, says Kawin (1992), working primarily with action and emotion (Faber & Walters, 2003, pp.185-201)... What we commonly call "History" will be described here with the proper term, which is to narrative. Narrative films tell stories that can be both a series of fictitious events (as in the majority) as accounts of true stories. Bordwell and Thompson (2003) define narrative as a "chain of events with cause-effect relationships takes place in time and space (Casetti & Francesco, 1999, pp75-80).

Often a narrative begins with a situation, and then a number of changes occur according to a model of cause and the effect that will lead to a new situation it will lead to the end of narrative. Thus, the main components of the narrative are causal, time and space, though the film can also guide other principles formal and parallelism, where it provides a similarity between different elements (Casetti & Francesco, 1999, pp75-80).

The sense of a narrative is acquired by identifying events and relates both the cause and effect as its time and space. The story (plot) and argument (discourse), are distinct concepts, defines history as the set of all events in a narrative, both those explicitly presented as which infers the viewer, the term argument, on the other hand, refers to the description of the material presented visually and aurally to us in a movie, this includes all those events history described explicitly. The story goes beyond the argument by suggesting events that never witnessed, while which is built into the viewer's mind based on the key presented by the argument.

Storytelling is a dynamic process there is a difference between histories is represented and the representation of the actual form that the recipient is located. The story covers the action as a string cause and effect of chronological events that occur within a given duration and a specific spatial area (Casetti & Francesco, 1999, pp75-80). Recipients create an outline of the narrative through assumptions and inferences, same as occurs as a result of the choice of signs or indications narratives, both using schemes such as building and testing hypothesis. The observer constructs the story (concept used by Bordwell) based on prototypical patterns (types of people, actions, locations, etc., which are identifiable), among other schemes. The fable of a film is never physically present on the screen or audio can be guess, but not offered as such to the viewer (Casetti & Francesco, 1999, pp75-80).

The style, on the other hand, mobilizes components of film techniques according to certain principles of the organization are the systematic use of cinematic techniques as the mise-en-scene, cinematography, editing and sound. Thus, the argument and style coexist in a narrative film each trying different aspects of the same process. The special effects that give the spectators will depend on ...