My thanks go out to all who have helped me complete this study and with whom this project may have not been possible. In particular, my gratitude goes out to friends, facilitator and family for extensive and helpful comments on early drafts. I am also deeply indebted to the authors who have shared my interest and preceded me. Their works provided me with a host of information to learn from and build upon, also served as examples to emulate.
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I [type your full first names & surname here], declare that the following dissertation and its entire content has been an individual, unaided effort and has not been published or submitted before. Furthermore, it reflects my opinion and take on the topic and is does not represent the opinion of the University.
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TABLE OF CONTENTS
ACKNOWLEDGEMENTII
DECLARATIONIII
Introduction1
Purpose of a Narrative2
Why Narrative?3
History of Narrative4
Narrative as Genre5
Narrative as a Method6
Importance of Narrative10
Types of Narrative11
Types of Narrative Texts13
Non-Linear and Multi Linear Narratives18
Transformation of Books in to Films19
Comic books19
The Remakes20
Parodies20
Biopic21
Use of Narrative in film/ animation, books and Video Games21
Conclusion23
REFERENCES24
The Importance of Narrative in Different Mediums
Introduction
Narratives are stories that provide, in sequential order, the meaningful telling of events. In this telling, one sees the connection between biography, history, and society. Narratives are told for a particular audience at a particular time and place. By their very nature, narratives are case centred forms of social research.
Narratives are sequences of non-randomly connected events. In this general sense, narratives are everywhere. Biographies, curricula vitae, historical texts, letters, novels, reports, medical case histories, law text, and even scientific texts are, or contain, narratives. Narratives are therefore relevant to politics because they are ways of connecting events. By linking together events in space and time, they are a way of making sense of the world. News, discourses of politicians, reports of various kinds, law texts, biographies all of them are politically relevant narratives. They are means to make sense of the political world and, as a consequence, also of our place within it.
A number of different connotations are commonly connected to the use of the terms narrative research, narrative inquiry, and narrative analysis connotations that intersect and often contribute to the impression of narrative research as complex and multilayered, if not confusing. One of the most central ways this complexity plays out is in what can be taken as the most basic intersection, namely, that between research on narratives, in which narratives are the object of study, and research with narratives, in which narratives are the tools to explore something else typically aspects of human memory or experience. One of the goals of this chapter is to work through some of this complexity and to make recommendations for how to follow methodical procedures when working with narratives procedures that are built on, and follow insights gained from, work on narratives (Calleja, 2007, Pp. 259).
These narratives may be personal or impersonal, they may relate to mundane, everyday types of activities or be grander societal narratives that large-scale communities recognize and ...