DISCIPLINE OF DESIGN

Discipline of Design

Discipline of Design

Introduction

In a very general sense of realism, language arts, this is the attitude of the artist in his works that aims to reproduce reality as it is, or rather, as appear to him. The basis of this philosophical attitude is the conviction, that reality has an objective existence that the artist must strive to imitate and reproduce as closely as possible. From this point of view includes the term realism, so perhaps too extensive, an attitude common to different eras and styles, very different. There is, for example, a classical realism that aims to reproduce reality in its physical and natural plasticity, but purifying it of its natural unpleasant aspects to compose the different parts of the "natural beauty" in a harmonious image of beauty or ideal model, as indeed in classical Greek-roman and in the Renaissance, and there is instead a realism of Caravaggio, which aims to represent reality without embellishment in its most natural. There is a baroque realism of reality shows the most dramatic and dynamic as action, drama and spectacle, and there is a realistic Rococo art as deception and

Discussion

Both the theorist gave a clear and precise theory regarding arts and design. Both theorists have researched and studied the field of design and arts thoroughly and their prespective clearly indicates the current improvements in the discipline of Design. Hence we can say that both the theorists have worked for the betterment of the field of arts and design.

The theory of art, science dealing with the systematization and description of artistic problems, the analysis of (mainly formal) works of art, the psychology of creativity and reception, as well as the determinants of the formation and development styles.

The philosophical theory of art to the seventeenth century

The theory of art was cultivated in ancient times - both as a general reflection, present for example in Plato (reflection of beauty) and Aristotle (category of mimesis , the so-called separation. mimetic arts: painting, sculpture, poetry) and spreading various specific technical issues for example, in Vitruvius (architecture and construction). In the Middle Ages formulated judgments about art mainly in the context of theological and philosophical musings (eg definition of beauty St. Thomas Aquinas, Summa theologiae concluded). But do not avoid writing down the practical insights that documents such as notebook Villard de Honnecourt.

The views mentioned above, as well as other thinkers, became part of the modern theory of art. Its foundations created LB Alberti , who held the theory of art as a separate science - in his works can be found both specific issues and general reflection. Accomplishments Alberti continued authors sixteenth-century architectural treaties: Vignola , S. Serlio , A. Palladio , V. Scamozzi , in the seventeenth wmin: C. Perrault . The modern art theory also contributed to Leonardo da Vinci , P. della Francesca , A. Dürer (Franklin, 2001) .

In the second half of the seventeenth century an important center of discussions about art has become France with established there ...