Analysis of Literary Work Fairy Tale: Ben Mezrich

Ben Mezrich digs up real-life tales that are almost too incredible to believe, then turns them into bestselling books—and that has transformed the one-time Harvard geek into the big shot writer he always wanted to be. Now, with the video version of his breakout, conveying down the dwelling, approaching to theaters, there are nagging inquiries about just how far Mezrich extends the facts in his fantastic yarns. Not that Boston's party-boy scribe is concerned. He's having way too much fun just enjoying the ride.

Ben Mezrich is thrilled with this, and with everything else about 21, the forthcoming cinematic adaptation of the publication that made him a star. He can't delay to show off the new paperback cover that will be revolved out in conjunction with the film's release. There's a mockup of it splayed out on his coffee table, right next to a case of promotional casino chips marked with the 21 logo.

The scribe sits in his lavish Back embayment apartment, arms disperse over the back of his couch. Behind him, just past the balcony, is a stunning view of Cambridge and the Charles. Six years have passed since the issue of Bringing Down the House: The interior article of Six MIT scholars Who Took Vegas for Millions. The book expended more than a year on the New York Times bestseller lists, and there are now more than 1.5 million exact replicates in print in 12 languages. It's the work Mezrich is renowned for, the force behind the wave of success he extends to travel today. And with this month's release of the big-screen type (which furthermore stars Laurence Fishburne and Kate Bosworth), Mezrich numbers he can gaze forward to all types of new book sales.

As well as his book has finished, the 39-year-old has become even better known for his adopt of the fast life. At a recent launch party for his newest tome, Rigged: The True Story of an Ivy association child Who Changed the World of Oil, from partition Street to Dubai, the ambiance was fitting: dark, but not too dark—as though the lightweight dimmer was set on "mood." melodies thumped through the speakers, and women with cleavage on full brandish pressed against men employed hard to look casual. Mezrich was dressed up, as habitually, in his likeness of a bestselling scribe: frosted spiky hair; white dress top with a few buttons altered, permitting chest hair to peek out and state hello; collar relaxing atop a azure fuming jacket; designer casual trousers; white shoes that could have come directly from Tom Wolfe's closet. The event had been arranged for a lesser venue, but was moved to 33 on Stanhope road, his publicist bubbles, "because of swamping response." It seems every person likes to be round Mezrich these days.

Indeed, Mezrich's world couldn't be more different from what it was before BDH. One day he was in Boston, a middling novelist wondering if his first attempt at nonfiction would deal; the ...