This research centered on the historical, spiritual, and political aspects of Rastafari and the international impact of reggae music. Cedric claims that Rasta's acknowledgement of Haile Selassie as God is in itself a political stance. He pointed out that in Jamaica one of the main tenets of Rastafari was repatriation. Cedric stated, “Rasta philosophy itself is a part of the resistance against colonial powers and the general oppression of all people”. He reminded me that the earliest Rasta's in Jamaica rejected British colonialism, criticized the local government and begin to relate directly to the Ethiopian crown.
The reason of this study is to analyze the effects of Rastafarianism on contemporary music. The design of the study will be to set forth the popular-culture sources of Rastafarianism as a mode of ethical beliefs and heritage sign and then to talk about the melodious influences and implications of that can be identified with and/or traced to Rastafarian supporters, enthusiasts, and stylists. The linkage between Rastafarianism and contemporary music can be connected first and foremost to the linkages between Africans and Anglo-Europeans in the New World, particularly as mediated by the popular heritage of up to date Jamaica. The sources of Rastafarianism were religious. They proceed back to the 1930s in Jamaica, when the first meaningful signal of Jamaican emigrants started to move out of the Caribbean and into America and England. (Stephen 2001)
Rastafarianism is much more than an African Hippie movement. It is a religion that has roots that precede back to Jamaica and the 1930s. As a people, Rastafarianism is very political and race orientated. Some of the major philosophy of Rastafarian belief is freedom of spirit, flexibility from slavery, and flexibility of Africa. The motto of this association was "One ...