Martini Cove by Michael Godard

Introduction

It is interesting to imagine visual representations of Godard's images in “Martini Cove”. This landscape by Godard highlights olive characters which appeared to look like human at the beach having fun, as embodied perspectives of nature-specific cultural experience, a new way of viewing the natural world, and possibly, a modern and stylish approach to its representation. The analysis of “Martini Cove” by Michael Godard in the visual arts and media has been a major concern in modern and queer approaches to art history and cultural studies and has shaped the practice of Godard whose work is informed by mass media. The following analysis of “Martini Cove” highlights some key areas in the painting of Godard. This study examines Martini with olive characters which appeared to look like human at the beach having fun and on water sailing in a boat/ship and helicopter flying overhead.

Size: W 60 x H 30

Created: December-2000

Analysis

Godard's work “Martini Cove” is a true representation of olive characters which appeared to look like human at the beach having fun. “Martini Cove” proves it once and for all. In “Martini Cove” olives like to be green martinis! In this colorful celebration of olive characters, olives dance in a an island, and their celebrations in all directions make party worthwhile; white ship is passing by and a flying helicopter, whatever all those olive characters in the picture are doing there.

The dark and light combination of colors in this unique piece of art represents the beauty of artist's mind. Godard's ideas are matchless. Godard's “Martini Cove” invites us in to his lighthearted perspective of happy-life (Rock Star of the Art World: Michael Godard) that surrounds us, mirroring imagery lives through martinis with animated tattoos, drunken men, dancing here and there, including two glasses of wine and ...