A motion picture is not a paperback, and vice versa. They reveal different art kinds, each with its particular speech. Up till now, as with any means in which inscription is employed, they share certain features. They are employed in different manners, certainly, but their purpose is the same: to enlighten a narrative in the most forceful and convincing manner possible. The setting of everything that becomes visible in the making of a movie picture - actors, lights, furnishings, props, and attire- all comes under mise-en-scene, an expression that refers “showing on theater.” The framework and cinematography also compose the mise-en-scene of a motion picture. The central part of a mise-en-scene analysis is not just recognizing the features of the shot, but offering details of the implication or importance at the back of those workings and linking the shot to the subject matters of the motion picture. This paper will analyze mise-en-scene from the comedy drama film, Ghost World, directed by Terry Zwigoff (2001). Film is based on the comic volume of the similar name and script by Daniel Clowes. The story stresses on the life of Enid and Rebecca, two teenaged strangers in an unknown American metropolis (Peter, 2001).
Discussion
Mise-En-Scene Analysis - Ghost World (2001)
The central contrast can be produced by any numeral of methods. The dimension of an entity may capture audience concentration to it. In black and white movie films, the leading contrast is in general attained all the way in the course of a combination of lighting and shadowy. In color movies, the dominant feature is frequently attained by containing one color show up from the others. Putting one entity in sharper focal point than the rest of the scene can also generate a leading feature. The governing feature in this scene is ...