The Music of John Cage

The Music of John Cage

In order to comprehend the music of John Cage, one needs not just to identify something about the technicalities of his work, but also requires an image of John Cage, his style of music and his sensibility. From Cage's initial works to the final, his pleasure in composing and application of his musical thoughts were through the expressions of considered creativeness. In listening to his composition, we see the work of Cage with a beautiful and distinctive intellect of musical style. According to Cage, music does not tend to provide satisfaction to the listener. In fact, Cage refers silence as his preferred sound (“Silence, Sound and Music”).

John Cage was more a thinker rather than a composer. His philosophy is that the function of art is not to converse one's individual feelings or ideas but to replicate nature and environment and its method of operation. According to Cage, a 20th century music history is not regarded as an inventor in the normal intellect. His compositions for piano and drumming composed in the 1940s have never been complicated for reviewers. His interludes & Sonatas of 1948 have even been symbolized as a masterpiece However, Cage in 1951 started to utilize chance functions in the lessons of his composition, & it is where things started to go wrong (“Chance Conversations”).

Music was viewed by Cage as a means of self-alteration and not as self-expression. It was his aspiration that his music would give the listeners with a chance to become more open through new experiments with sound (Acocella, Joan). It is assumed that Cage decided to reserve the throw of dice for his personal feel and experience, so that he could eventually get rid of any sketch of his character from his composed work.

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