Art has always remained a centre of attraction for most of the people in the all eras of time period. Especially the people who were more sensitive can assimilate the intended messages in the displayed images. The images that this paper attempts to analyze and explore belonged to Renaissance that depicted the Life of Jesus Christ. The crucifixion is indeed a great debate in terms of feelings, emotions and religious grounds. The art has immense role in materializing the intensity of life of Jesus and crucifixion. The people today can establish feelings and relevance with the religion, besides it is an effective manner of connecting the people with God. In this paper, the images provide with the basis and foundation to explore not only the aesthetic sense but also the relevance with then time period.
Discussion
There are three images that are showing the Jesus on the cross and the people around him. They are trying to create an ambience to give the circumstances and mindset to the ones who are watching them. It is giving an impact of both 'light' and 'darkness', that is, Jesus let himself be sacrificed to save his people. Such kind of painting earned great amount of popularity in the time period of Renaissance, where there were painters who adopted this style of depiction as well as the people who could understand this sort of art. According to Holmes (2011), Renaissance concept of light against darkness was invented Renaissance while medieval concept was created like a pothole intermediate between classical and Renaissance. For these authors dialectical slogan light into darkness and was instrumental cause of the Renaissance to legitimize his project of radical renovation and skip the posterity.
The period was a transition of art from one style to another hat was much more specific and definite in nature. Today it is thought that the transition from one style to another in Rome, especially, was not sudden but gradual and intermediaries: Ghiberti and Fra Angelico are examples of this intermediate period, yet there is a substantial change in Romano-Tenenti, Florentine artists developed a earthly and secular system in clear contrast to the Gothic art. The gap was deep and insurmountable. There are new ways of representation but collected Norse religion born in the Gothic. The mystical sense Dramatic faith is at the center of his art, although acclimate the divine nature with a recovered bathing and light earth with realistic forms (Barta, 2011). Only in the religious sense flamingos could be defined as medieval. The images reach an expressionist realism, with fixed and deep that look, with that extreme thinness, with large folded and expressive, the torsion angles that create strong contrasts of light and shade. The head (or the main character: Jesus) is extraordinarily expressive, full of strength and austerity, is almost the vision of a madman.
The Renaissance is thus a return to nature, which means art renewal search for new technicians to more accurately ...
