“Rethinking the Cinematic Art in the Content of Changing Digital Media”

CHAPTER 4: ANALYSIS AND DISCUSSION3

Two Changes3

The Digital Era3

The paradigm of Moving Image4

Film to Video5

Distinctiveness among Analog Film and Digital Files6

What is Cinema, Today?7

References11

Notes12

CHAPTER 4: ANALYSIS AND DISCUSSION

Two Changes

Historically and technologically, film has endured two major changes that have modified the implication of films. The first is the contemporary histo-graphical alteration which includes lengthy ignored, momentary, nontheatrical, and soul films which has been a theme of study for acute and sequential examination of cinematic art. As a leading unit of examination, these modifications have not characterized the feature film but together these incomprehensible, patchy, or prosaic attempts on celluloid far-flung outstripped art and business of feature films.

The second change is the shifting from analog feature film to a digital motion picture, which is far more extreme than the initial change. Now a day, these motion pictures are produced, distributed and exhibited digitally. These modern motion pictures are projected by means a DCP (digital cinema package) of files which is a blend of recorded and digitally produced pictures and sound. There exists continuity formally and culturally among motion pictures whether exhibited through celluloid or digital cinema package.

The Digital Era

The other era of digital portent is the commencement of motion picture as material stuff is the work seen which is flooding videos online. Film prints and optical discs are considered as physical materials, which can be held and viewed. Digital occurrence however, is not something intuitive, as if it cannot be seen, each file and a bit of computer lies somewhere in the system. These are the micro-engineered chunks of material which drives store (1).

The criterion has provided access to Jules and Jim from its movie collection brook through the contribution service Hulu. In this example, the item is in the form of an HD file of video. Its copies were stored on many computers. Specifically, context delivery network is utilized by the server of company (Becker, P 2011).

Half-century before, all these physical signs and items fell from a single, monochromatic and monophonic, motion picture of theater originally developed a film. Characteristics of materiality, brought up by means of library, information studies and archives are significant for taxonomy of objects of study.

The paradigm of Moving Image

The paradigm of moving image eagerly opt films, digital, video, including complex media such as, CD-ROMs, and other current media, either archaic or cutting-edge). The phrase moving image has unquestionable efficacy. In the late twentieth century, Moving image was shepherded into approval (Mita. M, 1996). In 1991, archivist belonging to film and television, working together for the past fifteen years, founded AMIA (Association of Moving Image Archivists. It permitted archivists to connect with the scholars, professional labs, librarians, studies, information technology professionals and others from the field of audiovisual media through its open membership policy. The peer-reviewed journal of AMIA has been launched successfully in the year 2000. The journal Moving Image is an intellectual complement for the Cinema Journal, Film ...