Relationship Between Text And Music From The Middle Ages To The Baroque Period

An epistemologic rank of the idea “music language”, which will not completely convert itself into other talking dialects, not less than not through accurate unequivocal semantic meanings or codex, becomes unanswered when we trial to decipher which solid significance should this chord, melodic line or the meagre alternative of devices comprise, and what kind of truth or significance could be very reliably comprised by succession of articulated sounds. At this issue, we are heading in the direction of semiotic discourse of music's context, where the last cited aim itself ...