Reflective Journal



Reflective Journal

Question 1

Alasdair Duncan: Metro

I t would be attention-grabbing to comprehend what people nearer in age or setting consider of this account. Alasdair Duncan is a novelist, correspondent and self-employed specialist of dark humour. Duncan's account Metro, take root Brisbane near the beginning of 21st century, stresses on Liam, an unashamedly so-called white 'upper and middle category brat', whose sagacity of position and individuality is strongly plotted by spatial and financial coordinates. This editorial judges the connections involving spatiality and individuality in Duncan's account, in addition to the manners in which conventional, heterosexual types of manliness are revived and refreshed in the performance of upper and middle category characters of achievement, freedom and consumerism. It squabbles that the preservation of these hegemonic types of manly individuality entails stratagems of spatial and physical appearance underlined by striking utilization referring other types of sexual individuality to a usable outside edge (Duncan, 2006).

Story lays attention predominantly on cultured college learner, Liam and his friends; their relations, their attire, their formal procedures, practice and surroundings. Liam works at 'Metro', which is an outlet that puts up for sale market surf and skate attire to stylish upper and middle class spoiled brats - a demographic that takes account of Liam me and all his associates. Liam and his acquaintances are the sons and daughters of well-off people, sharing a society of riches, consumerism and potential achievement guaranteed by the charters of classified schools. They subsist in the 'luxuriant neighbourhoods' of St Lucia and the neighbourhoods of Ascot and Hamilton. They are fated, as their parents prior to them, for the works; they drive European vehicles as their well-off parent's do, and they reside in the investment property dwellings possessed by their parents. Duncan's recognition of the Brisbane neighbourhoods and locations of class freedom and achievement trails a geo-economic account/growth of the metropolis; but it also gives, in its story bound communication of lived spatiality, an analysis of the ranking gaze and its separation and disruptive arrangements of supremacy. This evaluation is uttered in the demonstration of Liam's societal globe and his contacts with others in the social and spatial area.

Liam shows interest, not in girls, but with other young men. His sexual activities with them comprise a potentially perilous misbehaviour of the hetero-normative, homo-social play of upper and middle category right and achievement which has conventionally bestowed supremacy and arrangement on its associates. His consciousness of this notifies his nervousness with reference to just how significant it is to apparently emphasize a heterosexual manly individuality revealing the representative ideals of his category.

Liam Kelly, the storyteller, is tremendously unlike able. He is well-off, messed up youngster whose life is by now laid out prior to him; school, business, and achievement. The fly in the cream is that Liam, regardless of having had a long-term girlfriend from the time of high school, in spite of his unremitting exercise of homophobic disgraces, is behind closed doors playing around with other boys on the ...