MARKS & SPENCER CASE STUDY

Marks & Spencer Case Study

Marks & Spencer Case Study

To understand how the rules work, it's good to keep in mind that the general policy of copyright law is to encourage creativity so the public can benefit from that creativity. The case study regarding Marks & Spencer brings to light the fact that the law exists for the public's benefit, not to make creators rich, it strikes a balance between giving creators enough rights so that they'll have an incentive to continue to create, and making those rights limited and temporary enough so that the public can start adding onto the creations and advance culture, technology, and society.

An evaluation of Marks & Spencer's activities makes it apparent that Fashion Design is primarily associated with the concept of creativity, this gathering in both the aesthetic and the functional aspect, basically consists of giving aesthetic form to ideas conceived in the mind (Cohen, 2012; Xiao, 2010). Design should not address both ethical restrictions that could have but rather on the positive aspects that can contribute to improving the quality of life in this way need not stop at the duty not to do, but rather requires creatively unfold in what should and want to do.

The analysis of Marks & Spencer's activities in this case draws attention to aspects that fashion design develops creativity in textiles but not only involves the production and development of innovative products on a stylistic sense, but also requires attention to market needs in terms of quality and costs (Aspers & Godart, 2013; Lindgren, Sinclair & Miller, 2010). The development, on the one hand, requires the designer a sustained improvement of their production, in order to maintain and improve their position or the agency in the market, increasing competitiveness and allowing the creation of innovative and functional designs.

Marks & Spencer needs to consider the fact that innovation allows the designer to assess the change as an opportunity to overcome what is already obsolete and unproductive (Dahlén, 2012; Gorman, 2012). So, through a systematic, the designer will be able to overcome what in its field and is obsolete and unproductive and bringing new ideas to its practical, useful and feasible. It is considered that the following values are involved in Fashion Design (Venkatesh, Joy, Sherry & Deschenes, 2010; Jaber, 2012).

The primacy of the dignity of the person, in any medium and circumstance.

Professional ethics as fixed reference frame (Brennan, 2011; Venkatesh, Joy, Sherry & Deschenes, 2010).

The spirit of excellence and improvement.

The pursuit of educational excellence, a goal that guides the way to go.

A commitment to the protection and improvement of the environment, as a defense of sustainable development.

The social function of the work of fashion designer, as a consolidation and development in third world countries (Gorman, 2012; Brennan, 2011).

The primacy in the generation of knowledge, methods and techniques for the training of Fashion Designers.

Teamwork as a necessary means for the development of projects. The team gets a higher capacity than the individual sum of the capacities of ...