Importance of Performance in Zurich Dada



Importance of Performance in Zurich Dada

Dadaism

Dadaism or Dada is the modernist trend in literature, visual arts, theater and cinema. It originated during the First World War in a neutral Switzerland in Zurich (Cabaret Voltaire). This period existed from 1916 to 1922. In 1920 in the French Dada fused with surrealism, and in Germany, Dadaism fused with expressionism. Dada originated as a reaction to the consequences of World War I, the cruelty of which, according to the Dadaists, stressed the futility of existence. It was the rationalism and logic of declaring one of the main perpetrators of the devastating wars and conflicts. The main idea of ??Dada was the consistent failure of any kind was aesthetics.

The basic principles of Dada were the irrationality, the denial of the recognized canons and standards in the arts, cynicism, frustration and lack of system. It was the forerunner of surrealism, Dadaism, is largely determined with ideology and methods. For the founders of the Dada poets often include credit Hugo, Richard Hyulzenbeka (Richard Huelsenbeck), Tristan Tzara, and artists Hans Arp, Max Ernst and Marcel Janco.

In the fine art of the most common form of creativity was a Dadaist collage - technique to create works of a certain way are arranged and glued onto flat substrate (canvas, cardboard, paper) pieces of various materials: paper, fabric, etc. In Dada, there are three branches of Collage: Zurich "random" collage, collage demonstrative Berlin and Cologne, Hanover poetic collage. Dadaism is the modernist trend, which has become the quintessential principle of the destruction of imagery. According to George Grosz, Dadaists were the embodiment of pure nihilism, destroying imagery "for the sake of the great Nothing." The emergence of the Dadaist group in 1916 was due to the discovery of the artistic team - "Cabaret Voltaire" in Zurich.

In the US the group re-formed and Dada was redefined in New York around Duchamp, Picabia and Man Ray from 1918, especially in response to Duchamp's ready-mades. Subsequent influences there were reflected in later Neo-Dada and Pop art as in the work of Johns and Rauschenberg. An intellectual movement that began in neutral Zurich in 1916, during the First World War. One of its founders, the poet Tzara, called Dada a 'state of mind', and certainly the movement evaded stylistic characterizations. It was not solely an art movement and its premises were anti-art, rather than positively creative. In Zurich, Tzara, with Huelsenbeck, Hugo Ball, Arp and Marcel Janco put on performances at the Cabaret Voltaire to express their disgust with the war and with the bourgeois interests that had inspired it.

The term Dada has several possible origins: it is certainly a nonsense word, but may also be the French word for 'hobbyhorse', discovered by Huelsenbeck in a German-French dictionary. While exiled intellectuals launched their Dada protest in Switzerland, in New York Picabia and Duchamp arrived at similar anti-art sympathies by a different route and for different reasons. Criticizing the whole basis of museum art, Duchamp exhibited 'found objects' such ...