The Hollywood studio system grabbed two decades of American film history. Eight large companies controlled all sectors of the film industry, which tried to get the maximum economic benefit possible. The whole success is based on the development of an established product, with a narrative structure and staging that would attract public attention. By leading industry ad campaigns launched their stars and their stories, ready to be consumed by the public (Trice, 2001,, 111).
Depending upon the returns of films generated in the North American market during the 1980s and 1990s, De Vany and Walls have demonstrated powerfully, over the course of a series of articles, that the distribution of returns to film production are stable, yet highly skewed, with thick right tails, and are characterized by infinite variance, meaning that the outcome of the film production process, whether measured in terms of box-office revenues or profits, is essentially unpredictable. Between 1980 and 1990, revenues (adjusted for inflation) for American movies overseas markets rose by 124 percent at a time when the gross national product remained relatively stagnant. As a result, the share of all revenues from the distribution abroad rose from 30 percent in 1980 to more than 50 percent in 2000 (Trice, 2001,, 111).
The American film is designed for a heterogeneous, mixed. Presents stories easily understood by most, but in turn kept and attractive, which is an exciting product for all viewers. On the other hand, Hollywood has managed to settle in the culture around the world due to political and economic reasons as well. The U.S. desire to export the American way of life and its model of politics has also come to influence the film.
'Some suggest that spectacle has become the dominant tendency of contemporary blockbuster production. Narrative is usually identified as the victim. The narrative coherence of the blockbuster is often said to have been undermined by an emphasis on the provision of over-powering spectacle' (King, 2002).
Titanic
The film is simply a milestone in film history and will always remain so. Leonardo Di Caprio and Kate Winslet were in their best roles. It is one of the best love stories of all time. In April 1912, 2200 passengers travelled in the largest ship of its time, the Titanic. According to the customs of the early industry strictly separated, the mob rushed into the small cabin of the 2nd and 3 Class deep in the bowels of the ship, while the finer gentlemen strolled to their private promenade deck. Among them, the 17-year-old aristocratic Rose with her mother and her fiancé, the son of a wealthy industrialist. In America, let them marry. Outwardly calm and befitting it is eating Roses inside, because her future husband is a hot-tempered pig who sees the young woman now than its possession. Her mother insisted, but on the wedding, as the family is totally depleted. She desperately wants to jump at night from the stern of the Titanic in the ...