ENGLISH

Streams of Consciousness of English Literature

Streams of Consciousness of English Literature

Introduction

Stream of consciousness is an expression employed in both psychology and literature to characterize the procedure of thought. Different from language or script, an individual thought is unreserved by regulations of language rules or the limits of speech, integrating sensory stimulus, assumption, and sometimes even illusion. In the 20th century, many novelists made an attempt to characterize this procedure throughout a fictional technique, also known as 'streams of consciousness'. Virginia Woolf, Eliot, and James Joyce were particularly well-known for their exercise of this practice. In literature, flow of consciousness frequently takes the outline of long passages without punctuation or other standard rules of inscription, for example capitalization or paragraph breaks. Authors borrowed from the psychological practice known as free alliance, representing thoughts in quick series with little or no apparent link involving one and the next. The proposed effect was to offer greater awareness into characters' inner lives by recounting not just their experiences, but their thought procedures, as convincingly as potential. This was demanding for booklovers and challenging for authors, who risked puzzling or disaffecting any booklovers who could not interpret hard to follow passages (James, 1892, pp.36-37).

Discussion

Stream of Consciousness

One of the most significant options a novelist experiences when selecting a viewpoint, is the capability to manoeuvre the distance among the novel's characters and the person who reads. Early novelists of literature had mostly restricted themselves to present a character's feelings and thoughts throughout action or conversation with other characters.

First definition: Stream of Consciousness is a fictional technique in which the novelist follows illustration, aural, tangible, associative, and subconscious feelings and articulates them by employing "internal monologue" of characters either as a writing skill or as a writing technique that mixes feelings and impressions in an irrational order, and breaks sentence structure standards (Singer, 1978, pp.200).

Second definition: The expression "stream of consciousness" was first employed by William James in "Principles of Psychology". In journalism it accounts character's thoughts and feelings all the way throughout flow of consciousness in endeavour to confine all the forces that manipulate their psychology at a particular moment. Any rational or sequential approach is overlooked (James, 1890). The first exemplar of this approach is considered to be a narrative by Edouard Dujardin "Les Lauriers sont Coupes", but the style itself was initiated by Dorothy Richardson in Pilgrimage (1915-35) and by James Joyce in Ulysses (1922), and further built-up by Virginia Woolf in Mrs Dalloway (1925) and William Faulkner in The Sound and the Fury (1928). Main features were:

Recording mixed feelings and thoughts.

Discovering all forces that manipulate individual's psychology.

Pay no attention towards the plot series.

Nonappearance of the rational disagreement.

Disassociated leaps in language rules and punctuation

Writing style is complicated to practice.

Third definition: It is a narrative practice that offers the consciousness of a mind, moving from one observation, consciousness, or demonstration to the next. These diverse fundamentals are frequently articulated in a stream of expressions devoid of conservative ...