DANCE ANALYSIS

Cultural/Historical Dance Analysis

Cultural/Historical Dance Analysis

Introduction

The dance style of Hip Hop as one in which the lover of the dance floor conveys their affections and goal with a dangerous vigor, while investigating different and adapting styles and communicating their publicly accepted norms through the customary settings of Hip Hop (Bennett, 2000), all while satisfying the criteria of move. It is vital in the greater picture in light of the fact that it distinguishes a monstrous aggregation of individuals who notwithstanding have a place with Hip Hop because of its venture into America's standard publicly accepted norms. There is basically one personal identity to that of the group event throughout the life cycle of the individual and community as well as commemorated in dance: fettering house dances, fertility dances and the rite of passage dances. Dance is the also serving as the mediating forces between the two people and the goals of world. There are specific dances and rhythms that were appropriate deities, commonly (Malone, 1996); specific rhythm is assigned to every mask and every single step that the dances perform.

This paper analyzes the Cultural and Historical analysis of African American Dance. For this, I have conducted the two interviews. First from my neighbor, Mrs. Denelle Vaughn (40 minutes) about family and culture. While the second interview that I have conducted is from professional club dancer Latrice D' Marreio (27 minutes) about dance form of culture.

Discussion

Dancing for African American create a strong link for the people of African American and remind them their past that are more strongly than any other aspect of their culture (Hazzard-Donald, 1990). This is a hardly surprising because dance was of central importance in the West Africa. This is not only a routine acidity for communal but it is also an integral part of ceremonies that bind groups together as a people. Dance culture of African America is the multi-face, but it is a distinct contribution to the twentieth century, American Colure has been more musical.

Origin of Afro American dance

African American dance has folk's origin. There is informal dance of field workers that evolved into the theatrical dance such as the “Cakewalk”. The recreation for the rural poor meant not listening towards the blues, but dancing is just parties or a juke joints. For example, Jazz has originated in a New Orleans did in the Black Bottom is one of the series of popular dances that emerged from the community of African American to sweeping our country (Stearns & Stearns, 1968).

Comparison

Jazz, Blues and hip hop music has become a global phenomena but each was of them origin from African American. In each case there is a folk or popular dance that was an integral part to the development of the musical form.

“The new era is acting like an adult in an altogether distinctive connection. Samir Akika inclines towards move theatre and can set out from the thought of interdisciplinary work”, while Storm, Attou and Merzouki needed to put in an ...