Bramante and the Aesthetics of High Renaissance

Bramante and the Aesthetics of High Renaissance

Introduction

In line with the problems and situations that have been experienced in recent times, it becomes evident that regardless of the challenges and the problem that have been undertaken, High Renaissance has been an entirely new, unique discipline, imbibing within itself an endless, recurrent variety of art and architecture.

With the advent of High Renaissance, what occurred was not limited to only a few private arts, but came forth as an entirely new discipline. This not only changed the course of creating and establishing the best and most effective outcomes that have contributed significantly towards our perception and our absorption of the endless contributions that have occurred over the years.

There have been endless contributions by people who not only appreciated art but also had the capacity to bring about great a transformation which not only changed art, but also made it so flexible that all upcoming changes and the different forms of future arts that have been undertaken and established as part of High Renaissance.

The Period of High Renaissance

The period of High Renaissance a time where classical art progressed in full swing; not only were techniques mastered, but paintings and the way they performed in the advent of disseminating traditional art forms certainly changed the course of interpreting multiple forms of techniques and tools for developing artists and patterns (Frommel, 2007).

This period was not only the frame that marked the advent of new techniques and tools related to art and architecture, but also occurred as a societal movement. This was because of the occurrence of the political and the societal tensions that rooted and surfaced at that time.

This invested and adopted a sheer, serious and disruptive impact and effect upon the painters and the artists.

Big names surfaced in this time that not only made way for understanding and comprehending how artists and authors continued to show their best efforts in the field of art. Michelangelo, the greatest in the field of sculptors and fresco painters to have existed throughout history, Leonardo da Vinci who is the undisputable master of oil painting and the art of sfumato and finally Raphael, who came across as the finest painter in the entire era of High Renaissance.

Aesthetics of High Renaissance

One of the most prominent sketches and the most outstanding masterpieces was that during the time of High Renaissance changed from the usage of elements of quattrocento to a more real-life, real world understanding and imprinting it onto a canvas. Human features, expressions, movement, direction and clarity of thought became much more evident amongst all those paintings that were visible and surfaced in this platform altogether.

With facial structures and vivid sketches of emotions that have been undertaken, it not only changes the perception of the audience with regards to the painting, but also tends to gain the attention of the people and in the minds of the customer that not only make way for a better outcome, but also develops the ...