Christian Boltanski is heavily involved in the devastation and loss of life which took place during the Second World War and the Holocaust, a complete contrast in subject matter to Mark's photography. The emotional power of Boltanski's work derives from the mental ties that the audience relates when in the presence of his installations. His photographic installations featuring portraits of the deceased that were published in the obituary of a Swiss newspaper are particularly powerful, perhaps disturbing to the audience in their suggestion of the Holocaust (Simon, 2003). Boltanski appropriates his source material in the creation of his ...