Analyzing paintings from metropolitan museum

Metropolitan Museum of Art, New York

The Metropolitan Museum of Art

My first impression about the Metropolitan Museum of Art is that it is huge. The face of the building was imposing but beautifully decorated. No one would mistake it for another but a museum because of how it looked like. The inside is also equally magnificent because it houses a mind boggling number of artworks that spanned through history that includes ancient Greek artworks to more modern work. A day of visit would not be enough to appreciate all the artwork present in the museum.

I also realized that the Metropolitan Museum of Art is actually famous worldwide as I noticed many tourists were also there during my visit. Well it should be famous worldwide considering the artworks that it has which includes the priceless works of the masters.

Paintings by different artist of the same art period

Title

Boating, ÉdouardManet, 1874

The Daughters of CatulleMendès, Huguette, Claudine and Helyonne

Description

Boating, ÉdouardManet, 1874

Medium: Oil on canvass

Dimensions: 97.2 x 130.2 cm

The Daughters of CatulleMendès, Huguette, Claudine and Helyonne

1888

Medium: oil on canvass

Dimension: 161.9 x 129.9 cm

Elements and design principles

The paintings in comparison belonged to the Impressionist era. They make an interesting comparison and discussion because impressionism had a rough start and was not accepted as a legitimate painting style before. Impressionism is an artistic style and movement that depicts the experience of the artist's experience. Impressionism focuses on light rather than detail to evoke emotion from its art. They broke away from the traditional academic painting which emphasizes precision and correctness but instead emphasized on the free flow painting of the brush and the emotion of the painter.

There are two celebrated artists during this period whose name resembles and who rose to prominence also marks the prominence of Impressionism both as an artistic method and movement. Among this is Auguste Renoir  (French, Limoges 1841-1919 Cagnes-sur-Mer) and ÉdouardManet.

He will then, still in your creative energy, turn once again to the canvas to paint what we are taking a gander at. The lady perpendicular to the picture plane has been painted. Slipped from Bacchus and a shrub wreathed artist they are both part of Manet's hermaphroditic and idyllic personality. The sail is parallel to the surface on the grounds that it is, for instance the picture, a canvas. A "white cloth" rests close-by to wipe it down.

The "slip-ups" Manet made in his assumed endeavor to duplicate actuality. The foundation ascents parallel to the picture plane; there is next to zero space between the pontoon and the water; regardless of the watercraft's plot, the lady is in immaculate profile perpendicular to the picture plane as though she were a set pattern. To exacerbate matters, the sail, the blast, and the rope seem to lie parallel to the picture plane" however the pontoon's plot and the position of the projection show that this can't be so

Impressionism in craftsmanship history was created throughout Edouard Manet's lifetime and around the finish of his painted creation profession, he ...