The characters in The Homecoming are similar to those in Pinter's earlier plays—men (and, for the first time in a Pinter play, a powerful woman) of a common sort who live out their stage lives within the confines of a single room. The author creates an air of menace through threats conveyed both with language and silence, and acts of violence which suddenly erupt. Another dramatic device is the use of everyday domestic objects as sites for verbal battles. The play opens with Lenny choosing horses from the newspaper and then asking and rejecting Max's advice over the likely winners. ...