All through the novel, Holden appear to be excluded from and maltreated by the world around him. As he says to Mr. Spencer, he believe fascinated on “the other side” of life, and he frequently attempts to find his way in a world in which he feels he doesn't feel right (Bloom, 88).
Loneliness
Holden's loneliness, a more concrete manifestation of his alienation difficulty, is a going by car force all through the book. Most of the innovative recounts his nearly manic quest for companionship as he flies from one meaningless meet to another. Yet, while his demeanor shows his solitude, Holden consistently shies away from introspection and therefore doesn't actually understand why he holds behaving as he does. Because Holden counts on his isolation to maintain his detachment from the world and to sustain a grade of self-protection, he often sabotages his own endeavors to end his loneliness. For demonstration, his dialogue with Carl Luce and his designated day with Sally Hayes are made intolerable by his impolite behavior. His calls to Jane Gallagher are aborted for an alike reason: to defend his prized and fragile sense of individuality. Loneliness is the emotional manifestation of the alienation Holden experiences; it is both a source of large agony and a source of his security.
Relationships, Intimacy, and Sexuality
Relationships, familiarity, and sexuality are furthermore recurring motifs pertaining to the bigger topic of alienation. Both personal and emotional connections offer Holden opening to shatter out of his isolated shell. They furthermore comprise what he doubts most about the adult world: complexity, unpredictability, and promise for confrontation and change. As he illustrates at the Museum of Natural History, Holden likes the world to be quiet and iced, predictable and unchanging.
The recital “Comin' Thro' the Rye” inquires if it is incorrect for two ...