The Blue Hotel Embody Emile Zola's Determinism

Introduction

Stephen Crane, American novelist and journalist, was born in Newark, New Jersey in 1871 and died in Badenweiler in 1900). "The Blue Hotel" is a narrative by which the famous writer Ernest Hemingway (1899-1961) had a special preference, believing that some of the pages were "more vivid than an American has ever written." "The Blue Hotel,” is a story of small Nebraska lost hotel stands a painting of a colorful blue, near the train station, which runs an Irishman. Attentive to his business, a winter morning is that of a passenger car alight and immediately three men persuaded to staying at your hotel. Crane's prose, in which there are density and lightness, is an ideal vehicle that serves to describe the sometimes-indefinable forces that encourage their characters (David 440).

Emile Zola (1840-1902), takes a step forward in the evolution of realistic movement; including the European novel in what would Naturalism call. Zola will take care and clearly establish the theoretical bases to support his literary by publishing a large number of articles and trials. The most important of these tests is the experimental novel (1879), revealed aesthetic setting out the broad lines of the current literature. (Follett 241)

Discussion

In "The Blue Hotel” fear and death is the persistent leitmotif that gives meaning to history. "The Blue Hotel “is a story that is perfect and demonstrates mastery of the storyteller. In a village inside the U.S., there is a painting of a blue hotel rabid owner, Scully; it was to draw the attention of travelers arriving in the small train station. Amid a storm of snow, three men arrive by train and Scully get attract to your hotel (Walcutt 85). Once there, the storm grew even stronger and become trapped. One of the characters, it seems Sweden ...