Star Trek

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STAR TREK

Star Trek the Next Generation “outcast”

[Name of the Writer]

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Star Trek the Next Generation “outcast”

Star Trek has been subject to the vagaries of producers and writers so it is difficult to generalize about the intent of the authors of Star Trek or the viewpoint of the readers. Yet, it is also clear that Star Trek has at various times been reflective, informative, and critical about the culture -American culture- that produced it.

What Current Specific Social Issue, In This Country, Does This Video Address

Star Trek has addressed a wide variety of issues, including war, capitalism, individualism, technology, race, gender, prejudice, religion, etc. The list can be extended to many other issues but here main issue that this video address is racial discrimination. As portrayed on television such issues are representations of socio-cultural perspectives on broad human concerns. For taking a closer look to those issues, in the continuing parts I will give some examples from a number of Star Trek episodes that had written in different times.

The portrayal and treatment of religion in the Star Trek television series and films provides an important cultural commentary on the place of religion in society. Although no single coherent approach to religion appears in Star Trek, the series is nevertheless variously reflective of, informed by, and critical of societal attitudes toward religion. The portrayal and treatment of religion in much of the Star Trek franchise is negative: religion is often presented as superstitious, outdated, and irrational. An underlying and consistent theme of the Star Trek series is the presentation of rational scientific humanism as an alternative to religious faith. A newer theme, notably found in episodes from the Deep Space Nine and the Voyager series, explores the potentially positive value of religion. Since the viability and popularity of Star Trek have spanned such a long period of time, it is inevitable that the series would begin to diverge from original assumptions in response to changing cultural attitudes.

From its earliest days, Star Trek has been informed by a multiculturalist vision. In Roddenberry's original outline of the series the twenty third century insisted that racial discrimination would be seen as a regrettable relic of the past. The presence of Uhura, Sulu and Chekov on the bridge, as well as a number of black actors who appeared as senior anti-racist standpoint -even if all these characters played relatively minor roles-. ...
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