Stanislavski's Acting Technique

Russian actor and director Constantin Stanislavski revolutionized modern works. He urged the participants to work out which characters will think and feel in the game. This approach is known as "method acting".

Basis of Stanislavski's Acting Technique

In the Stanislavski system, or "method" as it became known, found that the main duty of an actor is to believe (but not recognized and understood). To achieve this "plausible truth" Stanislavski first employed such methods as "emotional memory". To prepare for the role that covers the fear, the actor must remember something frightening, and attempt to act within the emotional space of fear that they once thought. Stanislavski believed that an actor needed to take his or her own personality on the stage when they began to play a character. It was a clear departure from previous regimes acting that held that the actor must work had become a symbol, and leave behind their own emotions (Benedetti, 35). Later Stanislavski concerned himself in the creation of physical entries into these emotional states, believing that the repetition of certain acts and exercises could bridge the gap between life and away from the scene.

At the core of his approach is that actors must believe that everything that happens on stage. Stanislavski made it possible by training the subjects to recall their own feelings and experiences. It is aimed primarily at getting an actor to call the emotions they felt in the past. This can be transformed into the character they portray. Surveillance is another important aspect of the teachings of Stanislavski. He felt it helped the participants to learn more about people and their behavior. He believes the more the actor is more they have learned. Another very important part of Stanislavski's teachings is a simple matter. "What if?" Stanislavski called this the ...