Since man has left traces of his existence, either oral or written, all history has been a long narrative art. Certainly in the last twenty years this site told the busy modern life to have predominantly film and video, but long before people could talk about one hundred years, two hand arts that have given them most wonderfully the story, these are photography and literature in all its manifestations. In these days, with the breakthrough of technology, people maximize the narrative power of photography to tell a story (Boughton, Eisner & Ligtvoet, 1996). Although, people know that images have required something more than the ability of a good photographer. A shocking picture to develop a story can only be taken by a photographer, in addition to business, know to understand the emotions and concepts behind what they are saying. What gives shape to this story is called photography essay, but unfortunately we have seen on the net as many confuse a simple series of photographs with a photo essay (Meecham & Sheldon, 2000). Therefore, all the issues related to Photography Essay will be discussed in detail. Furthermore this paper will argue how photography should be treated as an art like paintings.
Discussion
Modern art encompassed a variety of artists, styles, and movements from the mid-19th to the mid-20th centuries that shared a response to and engagement with the technological, social, and cultural conditions viewed as new and distinct from the past (Gardner, 1983). What emerged in painting, sculpture, architecture, and design was distinguished by the use of materials, techniques and forms generating meanings that departed, often radically, from previous artistic traditions. The term modern and variations of it have been used repeatedly in European culture, even as far back as the 12th century, to distinguish an epoch as new and distinct from an earlier, and usually, ancient one. The early modern period in European history is associated with the Renaissance's revival of humanistic discourses and naturalistic artistic forms (meaning visual art that duplicates faithfully the appearance of things in nature) of classical antiquity (Ruby, 1996, pp. 1345-1351).
Finally modernism, or more specifically, artistic modernism, is the way that artists expressed the experience of modern life in art. Many people think of artistic modernism only in terms of abstraction, as for example, a painting or sculpture that is abstract in that it does not depict things as they appear in the real world. Although, much modern art involves a degree of visual abstraction (even if it includes a recognizable figure) that characteristic's relationship to modernity is not immediately apparent (Harrison & Wood, 2003).
Photography, Technology, and Modern Identity:
Among the fruits of science and technology in the 19th century, the invention of photography had profound implications for the visual arts and was a factor in how modernity shaped notions of identity. In 1839, Louis Daguerre introduced the daguerreotype process and the practice quickly spread throughout the world (Harper, 2002, ...