Mural Protest Arts



Mural Protest Arts

Mural Protest Arts

George Yepes

Yepes (born 1955) WAS born and brought up in the City Terrace district of East L.A. He acquired a stage in enterprise management at California State University, L.A., during taking decorating categories at evening at East L.A. College. He acquired a stage in enterprise management at California State University, L.A., and during at evening taking decorating categories at East L.A. College.

He then begun his own economic designing enterprise, employed for some years as an amateur muralist and a permanent accountant. Between 1979 and 1985 he was among the East Los Streetscapers. From the time 1988 his works on canvas was displayed in assembly and solo displays in some localized museums and galleries. From the time 1988 His works on canvas was display in assembly displays and only in some localized museums and galleries. (Felshin, 1995)

 In 1992 Yepes established the first free mural art school in L.A.-Academia de Arte Yepes. In early 1998 he accomplished a 68-foot vaulted ceiling mural for the Golden State Archives Museum in Sacramento. In early 1998 HE accomplished a 68-foot domed ceiling mural for the Golden State Archives Museum in Sacramento.

Historical Review of Mural protest art

A mural is an image used as supporting a wall or wall. Has been one of the most common carriers of the history of art. The stone or brick is the material it's made ??this stand.

The mural, by definition, is the work of art that is part and parcel of the architectural spaces. It does not refer to a separate plastic composition, closer to the easel, but is deeply tied to the walls of the architecture on which it sits.

Given its size and its location in the architectural space, wall art is also a means of cultural transmission, which needs to be shown, inserted into an area of public exposure. (Muller, 1989)

The first painting [of history], the rock, was executed on the walls of rock from the cave Paleolithic. They used natural pigments with binders such as resin. Painting on walls and ceilings dominated during antiquity and during the Romanesque period. Declined in the Gothic, because the walls were replaced by glass, so there were fewer surfaces to paint, it also determined the height of the panel painting. During the Renaissance there were large murals, including frescoes by Raphael in the Vatican breaks and work of Michelangelo in the Sistine Chapel. Subsequently, it has been limited to building walls and ceilings, decorations highlighting the major Baroque and Rococo, which, combined with reliefs of stucco, giving rise to impressive creations illusionists.

Mural painting has not come to leave ever, as shown in the work of the muralists of Latin America. The most famous were Diego Rivera, David Alfaro Siqueiros, and Jose Clemente Orozco in Mexico and Teodoro Núñez Ureta in Peru.

The graffiti street, at least on its most artistic and monumental, could be considered an urban contemporary mural painting.

The beginning of the mural was the iconography of the paintings, mural art then appeared ...