MODERNISM

In What Ways Does The Love Song of J. Alfred Prulfalck Exemplify Modernism



In What Ways Does The Love Song of J. Alfred Prulfalck Exemplify Modernism

For numerous readers in the 1920s, Prufrock appeared to epitomize the annoyance and impotence of the modern individual. He appeared to comprise foiled yearns and modern disillusionment. Such sayings as "I have assessed out my life in coffee spoons" (line 51) arrest the sense of the unheroic environment of life in the twentieth century. Prufrock's flaws could be mocked, but he is a pathetic number, not impressive sufficient to be tragic. (Luthy 2004)

The speaker of "The Love Song of J. Alfred Prufrock" ironic monologue is a modern, built-up man who, like numerous of his kind, feels isolated and incapable of resolute action. Irony is clear-cut from the name, for this is not a accepted love song. Prufrock would like to talk of love to a woman, but he does not dare.

The verse undoes with a cited route from Dante's INFERNO, proposing that Prufrock is one of the damned and that he talks only because he is certain no one will listen. Since the book reader is overhearing his thoughts, the verse appears at the start rather incoherent. But Prufrock does again certain sayings and comes back to certain centre concepts as the verse progresses. The "you and I" of the unfastening line encompasses the book reader, proposing that only by accompanying Purfrock can one realise his problems. (Sorum 2005)

The images of the unfastening lines depict a drab district of bargain inns and bistros, where Prufrock inhabits in solitary gloom. In line 12 he proposes making a visit, and directly his brain calls up an likeness of the location he and the book reader will go-- possibly an after noon tea at which diverse women fall ...