Literary Essay on the Movie Doctor Strangelove

Stanley Kubrick film Dr. Strangelove or: how I learned to stop worrying and love the bomb is based on the thriller Novel Red Alert, George Peter. In his book, the author describes the fear of many Americans. Section in which it was hot in the beginning of the cold war and got even hotter after crisis in Cuba in 1962, when the world stood on the brink of collapse. The book is devoted to almost uninhibited nuclear war and its prevention at the last minute. If Kubrick would follow the Holy pattern picture will look like this: due to misunderstanding or crazy solo superpower at the brink of nuclear war. Last-minute power politics and heroic fighters seem to avoid disaster.

This is the subject of which Hollywood made hundreds of epics until today. When asked if there will be a power of politicians and generals leading our superpower, the world will never face such a situation? In this regard is the potential of modern movie Kubrick. Our society is dominated by fear of nuclear war anymore, but the people sitting in the international headquarters of today is the same as during the cold war. Madness is not one, but the system itself. "Could there be anything more absurd then two super-powers are ready to destroy mankind, from the sweeping" Kubrick should ask themselves before the shooting of the film. At the moment he probably saw the impossibility to act a reasonable number on this Foundation. There is only one opportunity to highlight its portrayal of dementia in whole degree cynanthropy.

Therefore, the only appropriate form of entity was satire. Paradoxical that satire was the only form that can show the real. No need to exaggerate; Kubrick He just had to bring things to a boil. One of the most typical examples of Kubrick uses satirical tools simultaneously one of the movie. When the captain Mandrake finally decrypt the code that you can prevent nuclear war, it cannot tell the Pentagon about this, because all the phones were destroyed.

Characters are frequently extreme caricatures, and they all work on the screen, mostly because they fit the savage satire. The main Hong Kong inspiring speech--"you are going to be in line for a promotion when it's over"--have unpleasant ignorant of patriotism and naivety. The final decision was appropriate to its nature, and that the final image can be a symbol for all war. Waving and marvel at the total destruction, (which makes a tribute to the scene in Armageddon as well, probably the strongest moments in this film). The crew of Hong Kong are a few little quirks, but exist mainly to carry out their work. Kubrick uses minutia flying aircraft to build tension, especially when their B-52 is under attack and uncertain to cheer, our guys in the plane or the anonymous the guys who shoot at them. Common Ripper is one of the best of madmen, ever created, with his cigar and his paranoid ...