In the late 19th century, the functional and aesthetic flaws of the industrial city large sized had been recognized not only in Britain but in the United States and Germany. In the United States at this time, a group of designers tried to address this situation through the inculcation of beauty in the urban environment through architectural principles such as proportion, symmetry and scale in the design of buildings large sized, classical style and inspired setting Beaux Arts planning schemes civic centers, exhibitions, or university campuses (Burnham, 1909).
Such was the importance of "City Beautiful Movement" in American public architecture and design of the city that the U.S. practice, apparently from the decade of 1890 to about 1920 can be described as an established policy and methods set designs. This path of evolution, and its methods, affect the development of landscape architecture, municipal improvement, and civic design in modern America and were so successful that influenced architecture and urban design in Britain, especially in London, Liverpool and Cardiff, the capital of Wales.
Discussion and Analysis
To fully understand what the City Beautiful Movement was and what their goals were, it is necessary to consider the urban context in the late 19th century America. In the 1880's, American cities are characterized by a series of elements, most of which were negative in nature (Lang, 1984).
These include government corruption, poverty, social unrest, crime, inadequate housing, overcrowding and uncontrolled urban growth, apparently. Jacob Riis, Theodore Dreiser, Stephen Crane and Frank Norris all ably described the situation of the urban poor, and taking into account the current fluctuations of the nation's economic system, many social reformers in America were deeply concerned about the threat of urbanization posed as a catalyst to stimulate social discord. So armed with moral codes and civic virtue, the beautiful city the simplest movement can be defined as a progressive reform movement created by a number of American designers.
Importantly, these professionals are distinguished by the use of classic design and planning ways to bring beauty, aesthetic, and the greatness of urban environments as a means to counter the perceived lack of moral and impact of poverty in urban America. Significantly, too, to these individuals, as Daniel Burnham (1846-1912), Frederick Law Olmsted, Jr. (1870-1922), John Russell Pope (1874-1937), and Charles McKim (1847-1909), believes the restoration of beauty in urban America have a number of important social impacts. These include, for example, what the new rich people in cities to live and work, to the settlements in the United States on a cultural level similar or equal to places in Europe, and the elimination of many social ills American society (Lang, 1984).
Historical analysis
The 1890 and early twentieth century were a turning point in American society. The economic system struggled to define itself and Americans through the language of consumption, social unrest and violence, the results of economic depression, disgust with corruption in government, and overcrowding in urban centers erupted periodically throughout the era, and the agrarian way of ...