This paper reconsiders the innovative "Blue Winds Dancing" by Tom Whitecloud, about a juvenile Native American man labouring to conclude if he pertains in the white world or the Indian one. The paper recounts the heritage confrontations the major feature comes across when he departs his booking to join university, and the influence of those confrontations on his excursion to find his factual voice. Analysing about a specific individual from an exact tribe, the novel's topic of persona labour is universal - an issue which profits from Whitecloud high applaud from the scribe of this paper.