On March 11, 2003, about a week before President George W. Bush began bombing Iraq, the cultural historian Jackson Lears published an Op-Ed article in The New York Times pleading for sanity. He sensed that it was already too late, and suggested that war opponents might be “fingering a rabbit's foot from time to time.” As a historian, however, Lears couldn't help asking when the “regenerative” impulse to seek national glory through war first took root. The result is “Rebirth of a Nation,” a fascinating cultural history that locates the origins of Bush-era belligerence in the anxieties and modernizing impulses of the late 19th century.
Book Review
Lears describes his bookas a “synthetic reinterpretation” of the Gilded Age and Progressive Era, an effort to dislodge classics like Richard Hofstadter's “Age of Reform”(1955) and Robert Wiebe's “Search for Order, 1877-1920”(1967). It's an ambitious project; both books, despite legions of critics, have shown remarkable staying power. Fortunately, Lears is well qualified for the task. One of the deans of American cultural history (as well as a professor at Rutgers University), Lears has spent decades writing about turn-of-the-20th-century debates over consumerism, modernity, religion and market capitalism. With “Rebirth of a Nation,” he expands his vision to include politics, war and the presidency as well.
The book's title a play on D. W. Griffith's 1915 film “The Birth of a Nation” suggests two of Lears's greatest revisionist concerns: the lasting influence of Civil War violence and “the rising significance of race.” Beginning in the 1870s, he argues, Americans attempted to stitch their country back together around a “militarist fantasy” of Anglo-Saxon supremacy. Yet rather than bringing the hoped-for personal and national redemption, their efforts produced tragedy. According to Lears, the same cultural logic that justified lynching in the American South and the conquest of American Indians in the West eventually led to war in Cuba, the Philippines and Europe — and, a century later, to our own mess in Iraq.
Lears is hardly the first scholar to address these themes. But he is among the most far-reaching, seeking to redefine an era known for its reformist energies as a time when militarism and racismall too often triumphed over more pacific, democratic ideals. Like any good synthesis, “Rebirth of a Nation”dutifully covers the major trends of the age: the rise of industrial capitalism, the expansion of American empire, the tightening chokehold of Jim Crow. What brings new life to this material is the book's emphasis on how Americans' “inner lives” came to shape their outer worlds. Events that appear to be struggles for conquest and plunder turn out, in Lears's view, to be animated by a personal search for meaning. “The rise of total war between the Civil War and World War I was rooted in longings for release from bourgeois normality into a realm of heroic struggle,” he writes. “This was the desperate anxiety, the yearning for rebirth that lay behind official ideologies ...