William Faulkner's ''Barn Burning'' (1939) comes from the mid-point of its author's vocation and finds its creator in consummate command of the modernist devices that he, more than any other, had conveyed to American prose: stream-of-consciousness narration, decadent and even heritage degenerate settings, expanded sentences—interrupted by qualifying clauses—that give the result of continuously suspended or deferred resolution of the activity, and images of farthest violence. These modernist gestures disturbed Faulkner's early readers, and critics answered harshly to his works of the late 1920s and early 1930s, such as the novels The Sound and the Fury (1929) and Light in August (1932). Faulkner stood accused of excessive mannerism and obscurity, and of a morbid interest in unhealthy types. Northerners discovered his portrayal of the unassimilated South too local and Southerners discovered it too harsh and scandalous to be acceptable.(Faulkner,1)
Before he evolved his signature style, although, Faulkner had verified himself a mighty author of commonplace, flawlessly accessible prose. A good demonstration of this is the early story "Turnabout" (1925), in which an American aviator in World War I befriends a British torpedo-boat navigate and comes to see the confrontation from a perspective less isolated and abstract than that supplied by aerial bombing. To some span, ''Barn Burning'' represents a compromise between the brutal themes of Faulkner's high modernist style and the accessibility of his early prose. The result is still a mighty, more-straightforward-than-usual, glimpse into the author's fictional world.
Discussion
In ''Barn Burning,'' Faulkner also depicts the alienation and loneliness sensed by Sarty as he finds himself on the verge of lesson awareness. His father's misdeed cuts him off from the bigger social world of which he is increasing conscious. This sense of alienation although takes more prominence with regards to Sarty's relative with his dad, who should be the lesson form and means of application of the progeny into the bigger world. Because of his father's lawless individual recklessness Sarty in the end finds himself the larger alternative of alienating himself from his family or sticking to them.The unfastening scene of ''Barn Burning'' finds the story's protagonist, a ten-year-old entitled Colonel Sartoris or "Sarty," waiting with his dad, Abner Snopes, in a Southern small-town general store being used as a courtroom; the time is 10 or fifteen years after the Civil War. As we discover from the central monologue through which Faulkner conveys all of the story's events, Ab Snopes ...