The design f?r the Parc de la Villette was selected fr?m ?ver 470 internati?nal c?mpetit?rs. The ?bjectives ?f the c?mpetiti?n were b?th t? mark the visi?n ?f an era and t? act up?n the future ec?n?mic and cultural devel?pment ?f a key area in Paris. As described in the c?mpetiti?n, La Villette was n?t intended as a simple landscape replica; ?n the c?ntrary, the brief f?r this “urban park f?r the 21st century” devel?ped a c?mplex pr?gram ?f cultural and entertainment facilities.
The Parc de la Villette is a meeting between ?ld buildings and new w?rks, am?ng water, plants and minerals, am?ng the vast and intimate, between city and nature ... This spirit ?f rec?nciliati?n has guided the w?rk ?f Bernard Tschumi, the architect ?f the Parc de la Villette, wh? articulated the devel?pment ?f the site ar?und a triple system ?f p?ints, lines and surfaces.
Bernard Tschumi's the?ries ?n architecture, devel?ped in the 1970's thr?ugh gallery installati?ns, texts and "advertisements" f?cused ?n c?ntemp?rary s?ciety's disjuncti?n between use, f?rm and s?cial values, rendering any relati?nship between the three t? be b?th imp?ssible and ?bs?lete. His th?ughts ?n disjuncti?n led t? the design ?f the Parc de la Villette in Paris, in which he w?n a c?mpetiti?n f?r c?nstructi?n in 1983. The Parc c?nsists ?f 35 red f?llies, sp?rt and recreati?n areas, playgr?unds, a science and techn?l?gy museum, and a music center. Tschumi was in charge ?f planning, in additi?n t? the design ?f the f?llies, and superimp?sed three ?rdering systems: the p?ints ?f the f?llies, the lines ?f the paths, and the planes ?f the sp?rt areas. This netw?rk questi?ns the ?rder that is inherent t? architecture with a superimp?siti?n that attempts t? bring t?gether three n?n-related systems. The pr?cess and arbitrary result ign?re the basic tenets ?f architecture thr?ugh?ut hist?ry-c?mp?siti?n, hierarchy and ?rder. Each f?llie is based ?n a cube and dec?nstructed, acc?rding t? rules ?f transf?rmati?n (repetiti?n, dist?rti?n, superimp?siti?n, interrupti?n and fragmentati?n), with?ut any functi?nal c?nsiderati?ns.
The grid ?f red f?llies create reference p?ints and are n?n-c?ntextual in their f?rm and c?l?r, in fav?r ?f an intertextuality that leads t? a diss?lving ?f a pri?ri meanings. The f?rms ?f the f?llies bec?me signifiers as ?pp?sed t? signified (which carries meaning) in ?rder t? mean n?thing. The pr?cess ?f shaping the f?llies, and the ideas extrinsic t? them, represents a c?nsci?us reacti?n t? multiple meanings ass?ciated with Jaques Derrida's phil?s?phy ?f Dec?nstructi?n. It is futile t? attempt a summati?n ?f Derrida's phil?s?phy, but this text defines it as the imp?ssibility ?f ?ne meaning in a text, ?r language in general, due t? a dec?nstructi?n ?f language t? its f?undati?n, where multiple meanings can be f?und. Unlike many ?f his c?ntemp?raries, th?ugh, Tschumi's references t? Dec?nstructi?n take place at m?re than a f?rmal level. Alth?ugh the f?llies are physically dec?nstructed, their intended lack ?f meaning relates his use ?f the phil?s?phy t? its essence, n?t stylistic applicati?ns...
...Ry Essay writing help source. ... The paper presensts a critiques f?r articles related t? the learning the?ry that I have selected f?r my ... Architectural The?Ry ...
