Analytical Essay on Elvis 1 and 2 by Andy Warhol

Analytical Essay on Elvis 1 and 2 by Andy Warhol

The drastic use of colour has been utilised to depict the feeling of the subject, with grey and strong reds assisting in the "Elvis 1 and 2" surrealism is engaged to pit truth against its representation to glimpse how nearly they agree up. The painting of Elvis is put in the centre and the two emerge to line up flawlessly, except for the nagging doubt that the so-called truth against which we assess the painted representation is not anything but a representation itself. (Dillenberger 2009)

Warhol uses a lucid illusion method by utilising an nearly optical illusion method that on the exterior appears blameless sufficient, but that covertly undermines the truth we take for granted. Without hindering with the form of things, he hinders with the scheme of things. He is precisionist in method, utilising a apparently clear-cut, descriptive method, but his content is habitually a distracting riddle. Precision of minutia and highly very shrewd images end up undermining the administration and certainty of the external world, and determinants worry and apprehension in the viewer.

We glimpse the world as being out-of-doors us, whereas it is only a mental representation of it that we know-how interior ourselves. Magritte pits the reasonable, reasoning brain against the imaginative and truly unbelievable with no way to determination the conflict. Reason habitually endeavours to make things determinate, to pin them down definitively. His images resemble aspirations of cause with a scary precision that finishes up backfiring, throwing cause itself, and truth, into question. Quite easily, he conceives image mystifies that will not be explained or decimated by cause alone. (Yau 2007)

A azure colour in the backdrop compares in colour with the red, conceives a visual discord in a composition. It convey the out-of-doors ahead in the conceive, and emphasizes the likeness of the painting and the external world. (Dillenberger 2009)

Warhol has utilised a Centre of interest - the character view- to first appeal vigilance in the composition. This locality is more significant when contrasted to the other things or components in the artwork, and farther tensions the resemblance of the 'real' world to the painted world. The artwork indicates what we glimpse is only what we can see, and that we may be deceiving us in the way we glimpse our world.

The painting is bigger than any that I ...