PERCEPTION OF LITERATURE

Perception of Literature (Continued)

Perception of Literature (Continued)

We tend to think we see things as they are, that we are targets. Not so. We see the world not as it is, but as we are or as we have been conditioned to see it. It is interesting to see how perceptions are formed and govern our way of seeing things and behave. We examine the world we see, but also the glass or lens through which we see it, because that crystal shapes our interpretation of the world. The poet wanders in the forest, have the option to choose between two roads diverged in a yellow Forest path (Callaghan, 2011). The poet chooses the one less traveled, but think of the possibilities that would have meant having gone the other way, not elected. Is aware of the difference, that this election and this election will not be perpetuated in the causal chain of life. Experience a sensation as a slight sense of loss, rather than as a full anguish which would mean the certainty of his unfathomable finitude. It is this feeling of not being emotionally involved with the Nothing that would reveal the phenomenologist Heidegger and imminent feeling of nothingness, as a symptom of a "power being what it is yet” (Brock, Whiting, Matern, & Fife, 2009). The poet concludes that it would have taken any path, as it looked like that morning. This is expressed in the poem expresses a vision as a chronicle of oscillating consciousness by the traveler.

He chose the road less traveled, but there was another road that was rejected in this election: the road not chosen. The poem reveals a sense of ambiguity, lack of definition, in a sense of "existential angst" by the load acts and the impact is act one ...