Brilliantly conceived and written, Oedipus Tyrannus is a drama of self-discovery. Sophocles achieves an amazing compression and force by limiting the dramatic action to the day on which Oedipus learns the true nature of his birth and destiny. The fact that the audience knows the dark secret that Oedipus has unwittingly slain his true father and married his mother, does nothing to destroy the suspense (Woodard, 99). Oedipus' search for the truth has all the tautness of a detective tale, and yet because audiences already know the truth they are aware of all the ironies in which Oedipus is enmeshed. That knowledge enables them to fear the final revelation at the same time that they pity the man whose past is gradually and relentlessly uncovered to him.
Discussion
The plot is thoroughly integrated with the characterization of Oedipus, for it is he who impels the action forward in his concern for Thebes, his personal rashness, and his ignorance of his past. His flaws are a hot temper and impulsiveness, but without those traits his heroic course of self-discovery would never have occurred (Segal, 67).
Fate for Sophocles is not something essentially external to human beings but something at once inherent in them and transcendent. Oracles and prophets in this play may show the will of the gods and indicate future events, but it is the individual who gives substance to the prophecies. Moreover, there is an element of freedom granted to human beings, an ability to choose, where the compulsions of character and the compulsions of the gods are powerless. It is in the way individuals meet the necessities of their destiny that freedom lies. They can succumb to fate, pleading extenuating circumstances, or they can shoulder the full responsibility for what they do. In the first case they are merely pitiful, but in ...