COMMUNICATIONS AND MEDIA

Communications and Media - Movie Analysis - Scarface

Communications and Media - Movie Analysis - Scarface

Introduction

This discussion will attempt to analyze the movie Scarface in terms of visual presentation and communication. In order to do so adequately, the discussion will give consideration and relevance to the message the movie is trying to be convey via communication. In addition, the discussion will also incorporate an analysis of the possible effects upon the audience and the anything problematical that may be involved (such as stereotypes, negative messages and the like). In the process of doing so, the paper will give relevance to the degree to which the movie has been successful in the execution of the utilized visual approach. In this regard, it is imperative to highlight at this point that an analysis of the crime film Scarface released in 1983 can be expected to occasionally refer back to the original 1932 film on which the 1983 version starring Al Pacino is based.

Scarface is a genuine cult. Abusers of the cinephilia Americanophile mundane, passing through the video, the suburbs have all seen the movie dozens of times, know by heart every filthy replicas and the number of curse words per minute (Balsamo & Balsamo, 2011). Released in 1983, Scarface is very well received by the general public: Fashion violent movies and adults increased. As for the criticism, attached to the censorship, it is bent against this display of violence and vulgarity, and stigmatizes the audacity of a film that dares to modernize the masterpiece Hawks (Anastasia & Macnow, 2011). If sometimes we salute the brilliance of De Palma, it is better to regret it serves as a remake questionable. However, a few years later, Scarface became thrillers with Hong Kong, the main influence of Hollywood action movies that will mimic, sauce commercial (more humor and less dark), the visual exuberance, the bloody settling of accounts, the dialogues obscenity delusional fresco De Palma (Banks, 2006).

Discussion & Analyses

Scarface again today, this is a movie review standard 80s, along with the late glorious remnant of the previous decade (Bart, 2011). The internal motion of the film makes the junction between two eras of genre cinema, past (dirty realism) and future (choreographic violence). De Palma's film is clearly divided into two parts, one nerve, which shows the ambition of a Cuban refugee, Tony Montana, a little hysterical hits interpreted by Al Pacino who standeth boosted the role of his life, and second part edgy, showing its decline once the American dream (badly) acquired due to excessive paranoia, coke and violence, yet. Unlike his pitiful imitators, De Palma's camera does not disordered schizophrenic wife of his characters. She recorded with a cold virtuosity (Deitche & Mannion, 2009). The film, written by Oliver Stone, wallows without believing in psychologism destroy and escapes to join the horror movie when Montana dark in excess neurotic. Based on the documentary (or rather the TV report), the film moves towards the Opera (the final carnage unmatched red and gold, where Pacino from ...